Modern
building methods are very taxing on the environment. Cement production is
one of the most energy intensive of all industrial manufacturing
processes. Cement production now accounts for over 8% of total
carbon dioxide emissions from all human activities. Cement kilns in
the United States are the third largest source of dioxin contamination.
Part of this is due to the fact that kiln operators are allowed to burn
toxic wastes as fuel. Concrete trucks require about 500 gallons a day of
highly alkaline wash water to operate. This type of water is toxic to fish
and other aquatic life.
Steel,
another predominant building material, is made from iron ore and other
non-renewable resources. Steel production is energy intensive due to the
amount of heat required. The fuels used to fire steel forges are also a
major source of carbon dioxide and other forms of air pollution air
pollution.
Vinyl
siding and other plastics used in the construction industry are made from
non-renewable petroleum by-products. Plastic manufacturing requires toxic
chemicals and produces more toxic waste. Plastics don't breathe like
natural building materials. Many plastics emit toxic fumes. Some
plastics can take up to 50,000 years to deteriorate!
Commercially
harvested lumber products are usually treated with preservatives that are
highly toxic. For example, arsenic is a component in many pressure-treated
lumber products. Commercial forests harvested for lumber often use
hazardous pesticides and preservatives. Irresponsible deforestation causes
soil erosion, contamination of waterways from silt and pesticide runoff,
and loss of biodiversity in the forest ecosphere. Composite wood products
such as plywood and other particulate boards are often held together with
toxic compounds which in addition to contributing to the degradation of
the environment, are suspected to cause allergies and other health
problems.
Commercially
manufactured building materials cause problems for health and the
environment at all stages of their life cycle, from production and
manufacturing, to use in building, to disposal when buildings are razed.
Additionally, long-distance transportation of building materials
contributes heavily to transportation costs, not to mention the additional
pollution caused by the large diesel-burning engines required to transport
them.
Clearly
our current methods of building homes are extremely taxing on the
environment! But there is a better way.
Cob
building is the art of building homes using earth materials. Earth has
been used for thousands of years as a building
material,
and is probably still the most common building material on Earth. The word
'cob' comes from an old English word that means 'a rounded lump or mass.'
We get our word ‘gob’ from the same root word. Cob is basically a
mixture of straw, sand and clay. These natural building materials are
often available right on the building site, so transportation costs for
materials are greatly reduced or eliminated altogether. Once the walls are
built (by stacking the cob to build walls) they are covered with plaster
to seal them. There are no forms, brick shapes or frames. Since cob is
basically the same consistency as modeling clay, it lends itself to
organic shapes that are more curved and natural. An artistically designed
cob home fits in with its surroundings. These structures feel more at home
and in harmony with natural landscapes. In addition to making beautiful
homes, cob can also be used to build sculpture, garden walls and outdoor
ovens.
Cob
is literally 'dirt cheap' since it is made from materials readily found in
nature. Many cob homes I’ve visited have been built for less than
$5,000, and a few have been constructed for less than $500! Not only that,
but it's so easy a child could do it. Ever make mud pies when you were a
child? Then you've already got most of the basic skills to build with cob!
Cob
is at home in most environments. Some of the earliest structures on Earth,
in the Mesopotamian region, were made of a type of cob. There are cob
homes in Western Europe that have been continuously occupied for
centuries. With a little regular maintenance, a cob home is extremely
durable. A friend of mine once built a cob pottery studio in Gulf Breeze,
Florida. It survived two hurricanes, even when the surrounding buildings
were demolished. Many cob structures in earthquake zones have demonstrated
remarkable durability as well. No building system is earthquake-proof
under every seismic condition, but a cob mansion in Nelson, New Zealand
has survived two major earthquakes that destroyed the town around it. In
South Yemen, in a fault zone, there are medieval cob houses 13 stories
high. A cob building is one monolithic unit reinforced by straw, so it has
no weak straight-line mortar joints, making it stronger than brick or
block.
Cob
is also non-toxic and recyclable. It is made from natural materials that
contain no toxins. Cob doesn't require any products that don't come
directly from the Earth. This ancient way of building also doesn't
contribute to deforestation, mining or pollution. Since it is a natural
form of building, it does not rely on manufactured materials. Since it is
made using materials directly from the building site, it doesn't use
fossil fuels transporting materials to the site. When properly
constructed, it is highly resistant to rain and humidity even in
environments such as the Pacific Northwest and the British Isles. In fact,
of the hotbeds of cob building right now in the United States is Oregon!
Due
to the fact that walls in a cob home are one or two feet thick, they offer
excellent thermal properties. When built with passive solar design in
mind, these homes often don’t require extensive heating or cooling in
temperate climates. The earthen walls capture heat from the sunlight in
the daytime and radiate it at night. In my home state of South Carolina,
such homes rarely need cooling in the summertime, and can be heated with a
small wood stove in the wintertime.
The
tradeoff with a cob home is that it is a labor-intensive process. The
savings come in part from getting the materials for free, straight out of
the ground. Building it yourself means additional savings. You keep the
money that would have gone to pay a contractor. If you’re not a
hands-on, do-it-yourself type of person, cob is probably not for you; but
if you don’t mind getting your hands (and feet) dirty, then cobbing can
be a very relaxing and meditative experience. Most of the cob structures
I’ve seen were built by groups of people in ‘cobbing bees,’ where
friends and neighbors get together for a weekend or two to share the
experience. Since no power tools are involved, people often spontaneously
break into song or conversation while cobbing together. It’s a great
opportunity to socialize while doing something positive for yourself and
the environment! In fact, people who have experienced cob building
firsthand often talk about it in terms usually reserved for those who have
undergone a religious experience. Cobbing brings people together at an
instinctual community level.
Due
to the fact that cob is labor-intensive; cob homes are usually smaller
than the average stick-built home. This loss of space isn’t really that
noticeable in a well-designed cob home because you can shape alcoves and
shelving right into the walls to take advantage of vertical space. The
organic shapes that are possible with cob also make it possible to use
space more efficiently. According to the U.S. Census Bureau, housing
square footage is four times larger today than it was 40 years ago, and
couples living alone occupy nearly half of these homes! Think about
how much unused space you have in your home now and you’ll see the
advantages of a smaller home. By building smaller, more space-efficient
and natural buildings, not only can you save on building costs, but you
also save on the energy required to heat, cool and light the extra space.
Cob homes can be designed to make living more comfortable in less space.
Cob
homes may take a little longer to build than a traditional home, but there
are several factors that can come into play, including the weather, the
size of your cobbing crew, and the size of your home. A crew of six to
twelve people can build up to a foot of height per day in a cob home of
about 800 square feet or less. One advantage to cob building is that other
than applying plaster to the finished wall, there is no finish work
required. Plumbing and electrical fixtures are laid in place inside the
wall as it is built, and there is no framing to be done. There is no need
for insulation, sheet rock, taping, and finish framing. Once the final
plaster coat is applied, the walls are done.
I
have seen a small cob cottage (about 300 square feet) built in one weekend
by a dozen dedicated workers. But racing to finish the home is missing the
point. If you’re in a hurry to build, cobbing is probably not for you.
Half the fun in building with cob is in taking time to feel the materials
take shape under your hands. It’s a very tactile experience, similar to
sculpting with clay. If you have a ready stable of volunteers, you’ll
find that your group will eventually settle into a rhythm that is almost
like a dance. Since there are no power tools, you can enjoy the sounds of
nature while you work. Cobbing is an activity that naturally lends itself
to parties, since it doesn’t require a lot of skill, and who doesn’t
like playing in the mud! It’s a chance to indulge your inner child; and
if you have children of your own, they’ll love it! If you don’t mind
putting a little sweat-equity into building your own home, it makes a lot
of sense to return to nature’s most abundant, inexpensive and healthy
building material!
About the pictures in this
tutorial: Not all of the cob structures in the pictures shown here
were built by the Culture Artist Cobbers. Many are from cobbers at various
sites around the world. I have attempted to get permission for all the
photos used on this site, and to properly credit them wherever possible.
When the cobbers in question have a website, I have tried to link the
picture back to their site, or list them in the Cob
Builders' Directory, or both. I have made every effort to gain
permission for all the pictures shown. If I inadvertently used one without
permission, please contact me at chuck@cultureartist.org
and I will either credit the source or remove it. Thanks!